i n t e r a c t i v e + f u t u r e s
Sound and Vision
Marcus Bastos
ten (or more?) minutes of freedom (and other recombinant interfaces)
Laurel Point Inn
2 pm, Friday January 27th


Marcus Bastos is PhD in Communication and Semiotics and teaches at the Catholic University of São Paulo. He develops critical and experimental work on the field of digital culture. His most recent project — "ten (or more?) minutes of freedom" — won an honourable mention from the Sérgio Motta Award, an important Brazilian digital culture prize. Recent projects include "In the land of palms and threes" (Interactive DVD, 2005) and "A shard´s book". In 2004, with the Delirious Lazyness Group, he developed "mobil_izing", launched at SONARAMA (Tomie Othake Institute, São Paulo). In 2003, with Priscila Arantes, he developed the website "Brazilian Digital Media", nomitated to the 4º Prêmio Cultural Sérgio Motta. In 2002, he developed, with Giselle Beiguelman and Rafael Marchetti, "Weblandscape0" the only Brazilian work listed on the selection "The 50 Best of the international/media/art/award 2003" (ZKM, Karlsruhe, Germany).

Website: http://www.pucsp.br/~marcusbastos


 ten (or more?) minutes of freedom
 ten (or more?) minutes of freedom
 ten (or more?) minutes of freedom

ten (or more?) minutes of freedom (and other recombinant interfaces)
"ten (or more?) minutes of freedom" is an interactor triggered audiovisual essay. Multiple tracks allow control over a juxtaposed cluster of images, sound and video clips. The material is a selection of testimonies on the topic of freedom, by intellectuals such as Geert Lovink, George Landow and Jean-Pierre Gorin, as well as graphic or audiovisual treatments of texts by Paul Valéry, Jorge Luis Borges and Toni Negri, among others.

As the interactor chooses and edits the available clips, he builds his own reflection on the following topics: what does it mean to be free in a society where the entertainment industry imposes a constant hegemony of behaviors? What strategies allow people to exercise freedom, on this context? Does contemporary networked culture allow greater freedom, by stimulating the traffic of information that does not reach media such as the radio and the TV, or less freedom, by allowing tracking and surveillance?

The recombinant structure of the DVD, developed with DIALs and Windows for Shockwave, both technologies created by Jim Andrews, explore forms of incorporating generative technologies in polifonic interfaces, that question the stability of instituted discourses. It dialogs with former projects where the user played an important role on the recombining of its content, such as "Weblandscape0", created with Giselle Beiguelman and Rafael Marchetti, and "mobil_izing", by the Delirious Lazyness Group. Both will also be presented at the panel, as well as "A shard´s book", a study on the layering of texts and regressive reading, and "No Plata dot Us", the most recent project by Delirious Lazyness, where layers of text captured from Google creates an ever changing comnentary on brazilian contemporary politics.

The common issue on this websites and DVDs is building digital interfaces that allows the interactor to be more aware of the language recombination possibilities available in formats that move away from point-and-click, on portals all over the web, and remote controlled selection of sequences, on DVDs for rental at your local video stores.


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